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	<title>Solo Voice Archives - Hawes Music Publishing</title>
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		<title>Echo (from The Call)(Vocal Score)</title>
		<link>https://www.hawesmusic.com/product/echo-vocal-score/</link>
		
		<dc:creator><![CDATA[Andy Berry]]></dc:creator>
		<pubDate>Tue, 03 Oct 2017 10:14:56 +0000</pubDate>
				<guid isPermaLink="false">https://www.hawesmusic.com/?post_type=product&#038;p=3581</guid>

					<description><![CDATA[<p>Duration: 4 minutes Soloist(s): Soprano Instrumentation: Piano OR String quartet, Harp / Piano The eighth piece from the song-cycle The Call written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  This piece for soprano and piano is a</p>
<p>The post <a href="https://www.hawesmusic.com/product/echo-vocal-score/">Echo (from The Call)&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The eighth piece from the song-cycle <a href="https://www.hawesmusic.com/product/the-call-vocal-score/"><em>The Call</em></a> written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  This piece for soprano and piano is a setting of the beautiful poem by Christina Rossetti describing the sadness and deep pain of the poet for a deceased lover.</p>
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<div>Come to me in the silence of the night;</div>
<div>   Come in the speaking silence of a dream;</div>
<div>Come with soft rounded cheeks and eyes as bright</div>
<div>   As sunlight on a stream;</div>
<div>      Come back in tears,</div>
<div>O memory, hope, love of finished years.</div>
<div></div>
<div>Oh dream how sweet, too sweet, too bitter sweet,</div>
<div>   Whose wakening should have been in Paradise,</div>
<div>Where souls brimfull of love abide and meet;</div>
<div>   Where thirsting longing eyes</div>
<div>      Watch the slow door</div>
<div>That opening, letting in, lets out no more.</div>
<div></div>
<div>Yet come to me in dreams, that I may live</div>
<div>   My very life again tho’ cold in death:</div>
<div>Come back to me in dreams, that I may give</div>
<div>   Pulse for pulse, breath for breath:</div>
<div>      Speak low, lean low,</div>
<div>As long ago, my love, how long ago.</div>
</div>
<p><em><strong>Words: Christina Rossetti (1830-1894)</strong></em></p>
</div>
<p>Hire costs of the Full Score and Orchestral Parts can be provided on request to <a href="mailto:andyberry@hawesmusic.com">andyberry@hawesmusic.com</a>.</p>
</div>
<p>The post <a href="https://www.hawesmusic.com/product/echo-vocal-score/">Echo (from The Call)&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
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		<title>Millennium Psalms(Vocal Score)</title>
		<link>https://www.hawesmusic.com/product/millennium-psalms-vocal-score/</link>
		
		<dc:creator><![CDATA[Andy Berry]]></dc:creator>
		<pubDate>Mon, 02 Oct 2017 12:03:58 +0000</pubDate>
				<guid isPermaLink="false">https://www.hawesmusic.com/?post_type=product&#038;p=3525</guid>

					<description><![CDATA[<p>Duration: 8 minutes Soloist: Tenor Chorus: SATB unaccompanied Two a cappella psalms written at the turn of the new millennium for tenor Martin Pickering and the Mansfield Choral Society.</p>
<p>The post <a href="https://www.hawesmusic.com/product/millennium-psalms-vocal-score/">Millennium Psalms&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
]]></description>
										<content:encoded><![CDATA[<ul>
<li>The Passion</li>
<li>Pilgrimmage</li>
</ul>
<p>These two <em>a cappella</em> psalms were written at the turn of the new millennium for tenor Martin Pickering and the <a href="http://www.mansfieldchoral.org.uk" target="_blank" rel="noopener noreferrer">Mansfield Choral Society</a>.</p>
<p>The post <a href="https://www.hawesmusic.com/product/millennium-psalms-vocal-score/">Millennium Psalms&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
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		<title>Come Away Death(Vocal Score)</title>
		<link>https://www.hawesmusic.com/product/come-away-death-1995/</link>
		
		<dc:creator><![CDATA[PHadmin]]></dc:creator>
		<pubDate>Tue, 15 Nov 2016 18:09:52 +0000</pubDate>
				<guid isPermaLink="false">https://www.hawesmusic.com/?post_type=product&#038;p=1652</guid>

					<description><![CDATA[<p>Duration: 4 minutes Soloist(s): Baritone Instrumentation: Strings</p>
<p>The post <a href="https://www.hawesmusic.com/product/come-away-death-1995/">Come Away Death&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Written whilst Composer in Residence at Charterhouse School, this is a setting of a poem from Shakespeare&#8217;s Twelfth Night.</p>
<p>Full Score &amp; Orchestral Parts available on hire (<strong>Email:</strong> <a href="mailto:andyberry@hawesmusic.com">andyberry@hawesmusic.com</a>)</p>
<p>The post <a href="https://www.hawesmusic.com/product/come-away-death-1995/">Come Away Death&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
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		<title>The Far Seeing Land (Vocal Score)</title>
		<link>https://www.hawesmusic.com/product/far-seeing-land-1991/</link>
		
		<dc:creator><![CDATA[PHadmin]]></dc:creator>
		<pubDate>Tue, 15 Nov 2016 18:00:42 +0000</pubDate>
				<guid isPermaLink="false">https://www.hawesmusic.com/?post_type=product&#038;p=1645</guid>

					<description><![CDATA[<p>Duration: 20 minutes Soloist(s): Tenor Instrumentation: Piano A song-cycle of six songs for tenor and piano depicting East Lincolnshire.</p>
<p>The post <a href="https://www.hawesmusic.com/product/far-seeing-land-1991/">The Far Seeing Land (Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
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										<content:encoded><![CDATA[<ul>
<li>Chapel St Leonards</li>
<li>Market Rasen</li>
<li>Lincoln Cathedral</li>
<li>Grimsby Marsh</li>
<li>Lutton</li>
<li>Dawsmere Churchyard</li>
</ul>
<p>A song-cycle of six songs for tenor and piano depicting East Lincolnshire.</p>
<p>The post <a href="https://www.hawesmusic.com/product/far-seeing-land-1991/">The Far Seeing Land (Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
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		<title>The Call(Vocal Score)</title>
		<link>https://www.hawesmusic.com/product/the-call-vocal-score/</link>
		
		<dc:creator><![CDATA[PHadmin]]></dc:creator>
		<pubDate>Tue, 15 Nov 2016 17:56:38 +0000</pubDate>
				<guid isPermaLink="false">https://www.hawesmusic.com/?post_type=product&#038;p=1642</guid>

					<description><![CDATA[<p>Duration: 40 minutes Soloist(s): Soprano Orchestration: Piano OR Full Orchestra A collection of ten pieces, The Call was written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  The collection uses poems by noted poets including W.H. Auden, Christina Rossetti and</p>
<p>The post <a href="https://www.hawesmusic.com/product/the-call-vocal-score/">The Call&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
]]></description>
										<content:encoded><![CDATA[<ul>
<li>The Call</li>
<li>Autobiography</li>
<li>St Michael and All Angels, Edenham</li>
<li>Let a Florid Music Praise</li>
<li>Remember</li>
<li>The Tyger</li>
<li>Two Loves</li>
<li>Echo</li>
<li>If I could tell you</li>
<li>Who can deny?</li>
</ul>
<p>A collection of ten pieces, <em>The Call</em> was written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  The collection uses poems by noted poets including W.H. Auden, Christina Rossetti and George Herbert.</p>
<p><em>The Call</em> (from <em>The Call</em>):</p>
<iframe src="https://embed.spotify.com/track/1CYCscKAIqqZkYfyELd3E4" width="300" height=“80" frameborder="0" allowtransparency="true"></iframe>
<p>Hire costs of the Full Score and Orchestral Parts can be provided on request to <a href="mailto:andyberry@hawesmusic.com">andyberry@hawesmusic.com</a>.</p>
<p>The post <a href="https://www.hawesmusic.com/product/the-call-vocal-score/">The Call&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
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		<title>My Song is Love Unknown(Vocal Score)</title>
		<link>https://www.hawesmusic.com/product/song-love-unknown-2015/</link>
		
		<dc:creator><![CDATA[PHadmin]]></dc:creator>
		<pubDate>Tue, 15 Nov 2016 17:55:09 +0000</pubDate>
				<guid isPermaLink="false">https://www.hawesmusic.com/?post_type=product&#038;p=1641</guid>

					<description><![CDATA[<p>Duration: 4 minutes Soloist(s): Soprano Instrumentation: Piano This song takes the first two verses and last two verses from Samuel Crossman's (1624-83) marvellous poem.  There is no reference to the well-known hymn tune; instead the listener is taken through a whole range of emotions as the piano supports the soprano voice with warm, sonorous textures.</p>
<p>The post <a href="https://www.hawesmusic.com/product/song-love-unknown-2015/">My Song is Love Unknown&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>This song takes the first two verses and last two verses from Samuel Crossman&#8217;s (1624-83) marvellous poem.  There is no reference to the well-known hymn tune; instead the listener is taken through a whole range of emotions as the piano supports the soprano voice with warm, sonorous textures.</p>
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<p>My song is love unknown,<br />
My Saviour’s love to me;<br />
Love to the loveless shown,<br />
That they might lovely be.<br />
O who am I,<br />
That for my sake<br />
My Lord should take<br />
Frail flesh and die?</p>
<p>He came from His blest throne<br />
Salvation to bestow;<br />
But men made strange, and none<br />
The longed-for Christ would know.<br />
But O! my Friend,<br />
My Friend indeed,<br />
Who at my need<br />
His life did spend!</p>
<p>In life no house, no home,<br />
My Lord on earth might have;<br />
In death, no friendly tomb<br />
But what a stranger gave.<br />
What may I say?<br />
Heav’n was his home;<br />
But mine the tomb<br />
Wherein he lay.</p>
<p>Here might I stay and sing,<br />
No story so divine;<br />
Never was love, dear King,<br />
Never was grief like Thine.<br />
This is my Friend,<br />
In whose sweet praise<br />
I all my days<br />
Could gladly spend.</p>
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</div>
</div>
<p><strong><em>Words: Samuel Crossman (1624–83)</em></strong></p>
<p>The post <a href="https://www.hawesmusic.com/product/song-love-unknown-2015/">My Song is Love Unknown&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
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		<title>Let a Florid Music Praise (from The Call)(Vocal Score)</title>
		<link>https://www.hawesmusic.com/product/let-florid-music-praise-call-1997/</link>
		
		<dc:creator><![CDATA[PHadmin]]></dc:creator>
		<pubDate>Tue, 15 Nov 2016 17:52:36 +0000</pubDate>
				<guid isPermaLink="false">https://www.hawesmusic.com/?post_type=product&#038;p=1639</guid>

					<description><![CDATA[<p>Duration: 3 minutes Soloist(s): Soprano Instrumentation: Piano OR String quartet, Harp / Piano The fourth piece from the collection The Call written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  This piece for soprano and piano is a</p>
<p>The post <a href="https://www.hawesmusic.com/product/let-florid-music-praise-call-1997/">Let a Florid Music Praise (from The Call)&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The fourth piece from the collection <a href="https://www.hawesmusic.com/product/the-call-vocal-score/"><em>The Call</em></a> written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  This piece for soprano and piano is a setting of the W. H. Auden poem.</p>
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<p>Let a florid music praise,<br />
The flute and the trumpet,<br />
Beauty’s conquest of your face:<br />
In that land of flesh and bone,<br />
Where from citadels on high<br />
Her imperial standards fly,<br />
Let the hot sun<br />
Shine on, shine on.</p>
<p>O but the unloved have had power,<br />
The weeping and striking,<br />
Always: time will bring their hour;<br />
Their secretive children walk<br />
Through your vigilance of breath<br />
To unpardonable Death,<br />
And my vows break<br />
Before his look.</p>
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<p><em><strong>Words: W. H. Auden (1907-1973)</strong></em></p>
</div>
<p>Hire costs of the Full Score and Orchestral Parts can be provided on request to <a href="mailto:andyberry@hawesmusic.com">andyberry@hawesmusic.com</a>.</p>
</div>
<p>The post <a href="https://www.hawesmusic.com/product/let-florid-music-praise-call-1997/">Let a Florid Music Praise (from The Call)&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
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		<title>Echo&#8217;s Lament(Vocal Score)</title>
		<link>https://www.hawesmusic.com/product/echos-lament-2015/</link>
		
		<dc:creator><![CDATA[PHadmin]]></dc:creator>
		<pubDate>Tue, 15 Nov 2016 17:51:38 +0000</pubDate>
				<guid isPermaLink="false">https://www.hawesmusic.com/?post_type=product&#038;p=1638</guid>

					<description><![CDATA[<p>Duration: 4 minutes Soloist(s): Soprano Instrumentation: Piano The piano depicts the gentle flowing of the fountain which the poet, Ben Johnson (1572-1637) sees as a mirroring of grief and sorrow.  The solo soprano voice conveys the deeper nuances of the text with broken, 'sighing' phrases and, at points of climax, with more expansive sweeping statements.</p>
<p>The post <a href="https://www.hawesmusic.com/product/echos-lament-2015/">Echo&#8217;s Lament&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The piano depicts the gentle flowing of the fountain which the poet, Ben Johnson (1572-1637) sees as a mirroring of grief and sorrow.  The solo soprano voice conveys the deeper nuances of the text with broken, &#8216;sighing&#8217; phrases and, at points of climax, with more expansive sweeping statements.</p>
<p>The post <a href="https://www.hawesmusic.com/product/echos-lament-2015/">Echo&#8217;s Lament&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
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		<title>Strong Tower(Vocal Score)</title>
		<link>https://www.hawesmusic.com/product/strong-tower-vocal-score/</link>
		
		<dc:creator><![CDATA[PHadmin]]></dc:creator>
		<pubDate>Thu, 10 Nov 2016 17:50:13 +0000</pubDate>
				<guid isPermaLink="false">https://www.hawesmusic.com/?post_type=product&#038;p=1605</guid>

					<description><![CDATA[<p>Duration: 15 minutes Soloist(s): Tenor Instrumentation: Piano A Lincolnshire song-cycle of four songs for tenor and piano.</p>
<p>The post <a href="https://www.hawesmusic.com/product/strong-tower-vocal-score/">Strong Tower&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
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										<content:encoded><![CDATA[<ul>
<li>Christmas Night</li>
<li>Cedar of Lebanon</li>
<li>Ringers Requiem</li>
<li>St Michael and All Angels, Edenham</li>
</ul>
<p>A song-cycle of four songs for tenor and piano.  Also available as individual pieces on request to <a href="mailto:andyberry@hawesmusic.com">andyberry@hawesmusic.com</a>.</p>
<p>The post <a href="https://www.hawesmusic.com/product/strong-tower-vocal-score/">Strong Tower&lt;br&gt;(Vocal Score)</a> appeared first on <a href="https://www.hawesmusic.com">Hawes Music Publishing</a>.</p>
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