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    • Duration: 75 minutes
    • Chorus: Children's Voices
    • Orchestration: Piano OR Chamber Orchestra (eleven players: Flute, Oboe, Clarinet, Horn, Percussion, Piano, Violin I, Violin II, Viola, Cello, Double Bass)
    A children's opera that reimagines the story of Robin Hood, exploring what happens when Robin is unable to save the day and the forest community must look to itself for solutions.
    • Duration: 75 minutes
    • Chorus: Children's Voices
    • Orchestration: Piano OR Chamber Orchestra (eleven players: Flute, Oboe, Clarinet, Horn, Percussion, Piano, Violin I, Violin II, Viola, Cello, Double Bass)
    A children's opera that reimagines the story of Robin Hood, exploring what happens when Robin is unable to save the day and the forest community must look to itself for solutions.
    • Duration: 75 minutes
    • Chorus: Children's Voices
    • Orchestration: Piano OR Chamber Orchestra (eleven players: Flute, Oboe, Clarinet, Horn, Percussion, Piano, Violin I, Violin II, Viola, Cello, Double Bass)
    A children's opera that reimagines the story of Robin Hood, exploring what happens when Robin is unable to save the day and the forest community must look to itself for solutions.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Anthem for Doomed Youth, based on the well-known poem by Wilfred Owen, originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Anthem for Doomed Youth, based on the well-known poem by Wilfred Owen, originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 2 minutes
    • Chorus: SATB
    • Instrumentation: Piano OR Organ
    A setting of the well-known phrase from Psalm 46 "Be still, and know that I am God" for choir and piano.
    • Duration: 3 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Christian Soldiers, based on the well-known hymn tune, originally appeared as part of the first movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 3 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Christian Soldiers, based on the well-known hymn tune, originally appeared as part of the first movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 21 minutes
    • Soloist: Clarinet
    • Instrumentation: Strings, Harp
    Patrick Hawes's Clarinet Concerto [is] musically nourishing...a fine work....gorgeous..." GRAMOPHONE (Aug 2016) A three-movement work for clarinet, strings and harp written especially for clarinetist Emma Johnson.  The three contrasting movements are rooted in the English pastoral tradition but with a definite 21st-century gloss.  Melodic, fresh and immediately appealing.
    • Duration: 21 minutes
    • Soloist: Clarinet
    • Instrumentation: Strings, Harp
    Patrick Hawes's Clarinet Concerto [is] musically nourishing...a fine work....gorgeous..." GRAMOPHONE (Aug 2016) A three-movement work for clarinet, strings and harp written especially for clarinetist Emma Johnson.  The three contrasting movements are rooted in the English pastoral tradition but with a definite 21st-century gloss.  Melodic, fresh and immediately appealing.
    • Duration: 21 minutes
    • Soloist: Clarinet
    • Instrumentation: Strings, Harp
    Patrick Hawes's Clarinet Concerto [is] musically nourishing...a fine work....gorgeous..." GRAMOPHONE (Aug 2016) A three-movement work for clarinet, strings and harp written especially for clarinetist Emma Johnson.  The three contrasting movements are rooted in the English pastoral tradition but with a definite 21st-century gloss.  Melodic, fresh and immediately appealing.
  • Out of stock
    Duration: 4 minutes Soloist(s): Baritone Instrumentation: Strings
    • Duration: 3 minutes
    • Chorus: SATB unaccompanied
    The call of Christ to "Come To Me" is represented by gentle vocal phrases and an overall sense of yearning.  There is an atmosphere of weightlessness and calm to reflect the sentiment that Christ’s yoke is easy and his burden is light.
    • Duration: 5 minutes
    • Chorus: SATB
    • Instrumentation: Organ
    A setting of some of the last sentences of the Bible from the Book of Revelation, perfect for Advent.
  • Out of stock
    Duration: 20 minutes Chorus: SATB Instrumentation: Two pianos Written for the Tynemouth Choral Society, this work depicts the people and two main industries in that area of mining and fishing.
    • Duration: 4 minutes
    • Soloist(s): Soprano
    • Instrumentation: Piano OR String quartet, Harp / Piano
    The eighth piece from the song-cycle The Call written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  This piece for soprano and piano is a setting of the beautiful poem by Christina Rossetti describing the sadness and deep pain of the poet for a deceased lover.
  • Duration: 4 minutes Soloist(s): Soprano Instrumentation: Piano
    The piano depicts the gentle flowing of the fountain which the poet, Ben Johnson (1572-1637) sees as a mirroring of grief and sorrow.  The solo soprano voice conveys the deeper nuances of the text with broken, 'sighing' phrases and, at points of climax, with more expansive sweeping statements.
    • Duration: 4 minutes
    • Instrumentation: woodwind, horns, timpani, percussion, harp, guitar and strings
    This piece which features on Patrick's album Fair Albion uses the orchestra to convey a panoramic pastoral scene.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Gallipoli, with words from Sydney Bolitho's poem, originally appeared as part of the second movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Gallipoli, with words from Sydney Bolitho's poem, originally appeared as part of the second movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 5 minutes
    • Chorus: SSAA
    • Instrumentation: Organ
    An arrangement of the traditional Dutch carol written for the girls of the Charterhouse Choir.
  • Out of stock
    • Duration: 3 minutes
    • Soloist(s): Soprano
    • Instrumentation: Piano OR String quartet, Harp / Piano
    The fourth piece from the collection The Call written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  This piece for soprano and piano is a setting of the W. H. Auden poem.
    • Duration: 3 minutes
    • Chorus: SATB
    • Instrumentation: Piano
    A lilting melody is introduced in the piano against which the independent choral parts call for love to pervade all that we do.
  • Out of stock
    Duration: 4 minutes Chorus: SATB unaccompanied A setting of the words from the Chapter 15 of the Book of Exodus.
    • Duration: 4 minutes
    • Chorus: Divided soprano voices
    • Instrumentation: Piano
    A Christmas Carol with words by Andrew Hawes for divided soprano voices and piano written for Norwich High School for Girls.
  • Out of stock
    • Duration: 8 minutes
    • Soloist: Tenor
    • Chorus: SATB unaccompanied
    Two a cappella psalms written at the turn of the new millennium for tenor Martin Pickering and the Mansfield Choral Society.
    • Duration: 4 minutes
    • Soloist(s): Soprano
    • Instrumentation: Piano
    This song takes the first two verses and last two verses from Samuel Crossman's (1624-83) marvellous poem.  There is no reference to the well-known hymn tune; instead the listener is taken through a whole range of emotions as the piano supports the soprano voice with warm, sonorous textures.
    • Duration: 2 minutes
    • Chorus: SATB unaccompanied
    Peace Beyond Thought uses simple unison singing through to rich and warm harmonic textures, with restrained dynamics throughout.
    • Duration: 25 minutes
    • Soloist: Piano
    • Instrumentation: Full Orchestra
    "It's very direct, it's very honest, it's very melodic and it's very beautiful."  Peter Jablonski, pianist A three-movement work for piano and orchestra written for Peter Jablonski the concerto is a journey of excitement and - above all - majesty, through the pain of loss and bereavement, through to victory and the fulfilment of hope.
  • Out of stock
    Duration: 4 minutes Orchestration: Piano
    • Duration: 14 minutes
    • Chorus: Unaccompanied SATB choir and SATB quartet
    A beautiful setting of Psalm 91, commonly known as the Psalm of Protection, for a cappella SATB choir with an SATB quartet.
  • Out of stock
    • Duration: 15 minutes
    • Instrumentation: Oboe, Harp
    • Duration: 8 minutes
    • Instrumentation: Harp ensemble (min. four harps - fourth harp optional lever harp)
    A dramatic work for four harps depicting the battle between St George and the Dragon.
  • A carol imbued with both a sense of longing and the hope that a healing light may be born to comfort mankind. Written specially for The Self-Isolation Choir's Virtual Christmas Concert 2020.
  • Out of stock
    • Duration: 15 minutes
    • Soloist(s): Tenor
    • Instrumentation: Piano
    A Lincolnshire song-cycle of four songs for tenor and piano.
  • Out of stock
    • Duration: 40 minutes
    • Soloist(s): Soprano
    • Orchestration: Piano OR Full Orchestra
    A collection of ten pieces, The Call was written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  The collection uses poems by noted poets including W.H. Auden, Christina Rossetti and George Herbert.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    The Dead Soldier, with words from the poem by Sydney Oswald, originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    The Dead Soldier, with words from the poem by Sydney Oswald, originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Chorus: Celebrant, Congregation, and optional SATB choir
    • Instrumentation: Organ
    A setting of the Eucharist (Common Worship, Order One) for celebrant, congregation, organ and optional SATB choir.
    • Chorus: Celebrant, Congregation, and optional SATB choir
    • Instrumentation: Organ
    A setting of the Eucharist (Common Worship, Order One) for celebrant, congregation, organ and optional SATB choir.
  • Out of stock
    • Duration: 20 minutes
    • Soloist(s): Tenor
    • Instrumentation: Piano
    A song-cycle of six songs for tenor and piano depicting East Lincolnshire.
    • Duration: 61 minutes
    • Soloist(s): Soprano & Tenor
    • Chorus: SATB
    • Instrumentation: Full Orchestra
    The Great War Symphony is a poignant and moving work for choirs, soloists and orchestra written to commemorate the centenary of the First World War.  It mourns the dead, salutes their sacrifice and evokes a vision of England and her allies that inspired so much of the art and music of that time.
    • Duration: 61 minutes
    • Soloist(s): Soprano & Tenor
    • Chorus: SATB
    • Instrumentation: Full Orchestra
    The Great War Symphony is a poignant and moving work for choirs, soloists and orchestra written to commemorate the centenary of the First World War.  It mourns the dead, salutes their sacrifice and evokes a vision of England and her allies that inspired so much of the art and music of that time.
    • Duration: 12 minutes
    • Chorus: Double SATB choir
    • Instrumentation: Organ
    Commissioned by Proms at St Jude's, this work conveys the innocent and tragic suffering in war of children caught up in armed conflict.
    • Duration: 30 minutes
    • Chorus: SATB, and semi-chorus of trebles
    • Instrumentation: String orchestra
    The Land was written for the South Holland Choral Project in Lincolnshire and was commissioned by the South Holland District Council to celebrate the changing seasons in that area.
    • Duration: 30 minutes
    • Chorus: SATB, and semi-chorus of trebles
    • Instrumentation: String orchestra
    The Land was written for the South Holland Choral Project in Lincolnshire and was commissioned by the South Holland District Council to celebrate the changing seasons in that area.
    • Duration: 30 minutes
    • Chorus: SATB, and semi-chorus of trebles
    • Instrumentation: String orchestra
    The Land was written for the South Holland Choral Project in Lincolnshire and was commissioned by the South Holland District Council to celebrate the changing seasons in that area.
    • Duration: 2 minutes
    • Soloist(s): Soprano
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    The Last Post originally appeared as part of the fourth and final movement of The Great War Symphony written to commemorate the centenary of the First World War, and fuses the words of the iconic poem by Laurence Binyon with the bugle (or trumpet) playing the Last Post.
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