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  • Out of stock
    Duration: 4 minutes Chorus: SATB unaccompanied A setting of the words from the Chapter 15 of the Book of Exodus.
  • Out of stock
    Duration: 20 minutes Chorus: SATB Instrumentation: Two pianos Written for the Tynemouth Choral Society, this work depicts the people and two main industries in that area of mining and fishing.
  • Out of stock
    • Duration: 15 minutes
    • Soloist(s): Tenor
    • Instrumentation: Piano
    A Lincolnshire song-cycle of four songs for tenor and piano.
    • Duration: 9 minutes
    • Chorus: SATB
    • Instrumentation: Piano OR Harp & small string orchestra
    Commissioned to celebrate the centenary of the Norfolk Wherry yacht White Moth. The choir and small string group depict the quiet majesty of the River Bure as well as the graceful character of the wherry itself.
  • Out of stock
    • Duration: 25 minutes
    • Chorus: TTBB
    • Instrumentation: String orchestra, Percussion, Harp
    The words by Andrew Hawes tell the life of Saint Guthlac of Crowland, a 7th & 8th century Christian hermit in Lincolnshire.
  • Out of stock
    • Duration: 3 minutes
    • Soloist(s): Soprano
    • Instrumentation: Piano OR String quartet, Harp / Piano
    The fourth piece from the collection The Call written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  This piece for soprano and piano is a setting of the W. H. Auden poem.
  • Out of stock
    • Duration: 40 minutes
    • Soloist(s): Soprano
    • Orchestration: Piano OR Full Orchestra
    A collection of ten pieces, The Call was written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  The collection uses poems by noted poets including W.H. Auden, Christina Rossetti and George Herbert.
  • Out of stock
    • Duration: 20 minutes
    • Soloist(s): Tenor
    • Instrumentation: Piano
    A song-cycle of six songs for tenor and piano depicting East Lincolnshire.
  • Out of stock
    Duration: 4 minutes Soloist(s): Baritone Instrumentation: Strings
  • Out of stock
    Duration: 4 minutes Orchestration: Piano
  • Out of stock
    • Duration: 15 minutes
    • Instrumentation: Oboe, Harp
    • Duration: 75 minutes
    • Chorus: Children's Voices
    • Orchestration: Piano OR Chamber Orchestra (eleven players: Flute, Oboe, Clarinet, Horn, Percussion, Piano, Violin I, Violin II, Viola, Cello, Double Bass)
    A children's opera that reimagines the story of Robin Hood, exploring what happens when Robin is unable to save the day and the forest community must look to itself for solutions.
    • Duration: 21 minutes
    • Soloist: Clarinet
    • Instrumentation: Strings, Harp
    Patrick Hawes's Clarinet Concerto [is] musically nourishing...a fine work....gorgeous..." GRAMOPHONE (Aug 2016) A three-movement work for clarinet, strings and harp written especially for clarinetist Emma Johnson.  The three contrasting movements are rooted in the English pastoral tradition but with a definite 21st-century gloss.  Melodic, fresh and immediately appealing.
  • Out of stock
    • Duration: 8 minutes
    • Soloist: Tenor
    • Chorus: SATB unaccompanied
    Two a cappella psalms written at the turn of the new millennium for tenor Martin Pickering and the Mansfield Choral Society.
    • Duration: 8 minutes
    • Instrumentation: Harp ensemble (min. four harps - fourth harp optional lever harp)
    A dramatic work for four harps depicting the battle between St George and the Dragon.
    • Duration: 30 minutes
    • Chorus: SATB, and semi-chorus of trebles
    • Instrumentation: String orchestra
    The Land was written for the South Holland Choral Project in Lincolnshire and was commissioned by the South Holland District Council to celebrate the changing seasons in that area.
    • Duration: 30 minutes
    • Chorus: SATB, and semi-chorus of trebles
    • Instrumentation: String orchestra
    The Land was written for the South Holland Choral Project in Lincolnshire and was commissioned by the South Holland District Council to celebrate the changing seasons in that area.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Anthem for Doomed Youth, based on the well-known poem by Wilfred Owen, originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Gallipoli, with words from Sydney Bolitho's poem, originally appeared as part of the second movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    The Dead Soldier, with words from the poem by Sydney Oswald, originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Anthem for Doomed Youth, based on the well-known poem by Wilfred Owen, originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 3 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Christian Soldiers, based on the well-known hymn tune, originally appeared as part of the first movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Gallipoli, with words from Sydney Bolitho's poem, originally appeared as part of the second movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    The Dead Soldier, with words from the poem by Sydney Oswald, originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 2 minutes
    • Soloist(s): Soprano
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    The Last Post originally appeared as part of the fourth and final movement of The Great War Symphony written to commemorate the centenary of the First World War, and fuses the words of the iconic poem by Laurence Binyon with the bugle (or trumpet) playing the Last Post.
    • Duration: 10 minutes
    • Instrumentation: Wind Band with optional solo soprano saxophone
    This Medley version of The Great War Symphony  was created for the Scarlet & Gold concerts at Cadogan Hall by the Bands of the Household Division - the very best of Britain’s military musicians.
    • Duration: 10 minutes
    • Instrumentation: Brass Band
    This Medley version of The Great War Symphony  was created for the Scarlet & Gold concerts at Cadogan Hall by the Bands of the Household Division - the very best of Britain’s military musicians.
    • Duration: 5 minutes
    • Chorus: SATB
    • Instrumentation: Organ
    A setting of some of the last sentences of the Bible from the Book of Revelation, perfect for Advent.
    • Duration: 12 minutes
    • Chorus: Double SATB choir
    • Instrumentation: Organ
    Commissioned by Proms at St Jude's, this work conveys the innocent and tragic suffering in war of children caught up in armed conflict.
    • Duration: 25 minutes
    • Soloist: Piano
    • Instrumentation: Full Orchestra
    "It's very direct, it's very honest, it's very melodic and it's very beautiful."  Peter Jablonski, pianist A three-movement work for piano and orchestra written for Peter Jablonski the concerto is a journey of excitement and - above all - majesty, through the pain of loss and bereavement, through to victory and the fulfilment of hope.
    • Duration: 3 minutes
    • Chorus: unaccompanied Alto, Tenor, Baritone, Bass
    Written for The Porteous Brothers, this carol is based on the 15th century text depicting the Nativity with a lullaby sung by the Virgin Mary to the baby Jesus.
    • Duration: 25 minutes
    • Soloist: Piano
    • Instrumentation: Full Orchestra
    "It's very direct, it's very honest, it's very melodic and it's very beautiful."  Peter Jablonski, pianist A three-movement work for piano and orchestra written for Peter Jablonski the concerto is a journey of excitement and - above all - majesty, through the pain of loss and bereavement, through to victory and the fulfilment of hope.
    • Duration: 4 minutes
    • Chorus: SATB
    • Instrumentation: Strings or Military Band
    Written for the HM's Bands of the Household Division and Royal Choral Society to mark the Platinum Jubilee and based on Shakespeare's text from Henry VIII.
    • Duration: 5 minutes
    • Chorus: SATB
    • Instrumentation: Organ
    Commissioned by Wells Cathedral for the Cathedral Choir, Patrick has set the words of 16th century English poet Edmund Spenser which glorifies Christ’s sacrifice for mankind and praises his path of love.
    • Duration: 4 minutes
    • Chorus: SATB
    • Instrumentation: Strings or Military Band
    Written for the HM's Bands of the Household Division and Royal Choral Society to mark the Platinum Jubilee and based on Shakespeare's text from Henry VIII.
  • The Manger | The InfantThe OxenThe ShepherdsThe StarThe Magi
    • Duration: 20 minutes
    • Chorus: unaccompanied SATB
    A collection of six carols with brand-new texts by Patrick's brother.   As a whole, they make an effective collection for concert performance but are also designed for individual use within the context of a Christmas service.
  • Virga Jesse | Puer NatusNesciens Mater | Gaudete Omnes
    • Duration: 12 minutes
    • Chorus: unaccompanied SATB
    A setting of four motets with a fresh and dramatic approach to the well-known ancient texts.  Perfect to be sung as a complete set or as individual items within a carol service or other liturgical setting.
    • Duration: 5 minutes
    • Chorus: SATB
    • Instrumentation: Organ
    A piece full of unbridled majesty and victory through its colourful registrations and insistent rhythmic patterns.  Perfect for Christmas or the great Feast of Christ the King.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    This setting of the well-known text creates a warm and intimate sound world, written to reflect the prayerful and devotional feast of The Assumption of Our Lady.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    This attractive fifteenth-century text has inspired a setting which is reminiscent of medieval tonality and rhythm.  An uplifting Christmas carol.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    A beautiful setting of words depicting the unifying power of singing together in peace and love.
    • Duration: 3 minutes
    • Chorus: SATB
    • Instrumentation: Organ
    A beautiful setting of this unusual fifteenth-century text.  There is an overriding atmosphere of joy and intense love, as well as touching moments of pathos, especially in relation to the premonition of Calvary.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    A simple, but beautiful, strophic Christmas carol setting the words of the poem by William Chatterton-Dix.
    • Duration: 5 minutes
    • Chorus: SATB choir and semi-chorus (trebles OR children's choir OR soloist)
    • Instrumentation: Organ
    Using words from Psalm 139 and commissioned by the choir of St James’ Church, Louth, this work was premiered on the 500th anniversary since the spire was completed, the tallest medieval parish church spire in England.
    • Duration: 30 minutes
    • Chorus: SATB, and semi-chorus of trebles
    • Instrumentation: String orchestra
    The Land was written for the South Holland Choral Project in Lincolnshire and was commissioned by the South Holland District Council to celebrate the changing seasons in that area.
    • Duration: 5 minutes
    • Chorus: SSAA
    • Instrumentation: Organ
    A bright, festive arrangement of the well-known Dutch carol written for the girls of the Charterhouse Choir. Each verse provides variation and contrast with the intricate, playful organ underpinning the soprano and alto textures.
  • Duration: 4 minutes Soloist(s): Soprano Instrumentation: Piano
    The piano depicts the gentle flowing of the fountain which the poet, Ben Johnson (1572-1637) sees as a mirroring of grief and sorrow.  The solo soprano voice conveys the deeper nuances of the text with broken, 'sighing' phrases and, at points of climax, with more expansive sweeping statements.
    • Duration: 3 minutes
    • Chorus: SATB unaccompanied
    The call of Christ to "Come To Me" is represented by gentle vocal phrases and an overall sense of yearning.  There is an atmosphere of weightlessness and calm to reflect the sentiment that Christ’s yoke is easy and his burden is light.
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