• Duration: 30 minutes
    • Chorus: SATB, and semi-chorus of trebles
    • Instrumentation: String orchestra
    The Land was written for the South Holland Choral Project in Lincolnshire and was commissioned by the South Holland District Council to celebrate the changing seasons in that area.
  • Out of stock
    Duration: 4 minutes Orchestration: Piano
    • Duration: 9 minutes
    • Chorus: SATB
    • Instrumentation: Piano OR Harp & small string orchestra
    Commissioned to celebrate the centenary of the Norfolk Wherry yacht White Moth. The choir and small string group depict the quiet majesty of the River Bure as well as the graceful character of the wherry itself.
    • Chorus: Celebrant, Congregation, and optional SATB choir
    • Instrumentation: Organ
    A setting of the Eucharist (Common Worship, Order One) for celebrant, congregation, organ and optional SATB choir.
    • Duration: 14 minutes
    • Chorus: Unaccompanied SATB choir and SATB quartet
    A beautiful setting of Psalm 91, commonly known as the Psalm of Protection, for a cappella SATB choir with an SATB quartet.
    • Duration: 5 minutes
    • Chorus: SATB
    • Instrumentation: Organ
    A piece full of unbridled majesty and victory through its colourful registrations and insistent rhythmic patterns.  Perfect for Christmas or the great Feast of Christ the King.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    A simple, but beautiful, strophic Christmas carol setting the words of the poem by William Chatterton-Dix.
    • Duration: 3 minutes
    • Chorus: SATB
    • Instrumentation: Organ
    A beautiful setting of this unusual fifteenth-century text.  There is an overriding atmosphere of joy and intense love, as well as touching moments of pathos, especially in relation to the premonition of Calvary.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    A beautiful setting of words depicting the unifying power of singing together in peace and love.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    This attractive fifteenth-century text has inspired a setting which is reminiscent of medieval tonality and rhythm.  An uplifting Christmas carol.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    This setting of the well-known text creates a warm and intimate sound world, written to reflect the prayerful and devotional feast of The Assumption of Our Lady.
    • Duration: 5 minutes
    • Chorus: SATB
    • Instrumentation: Organ
    Commissioned by Wells Cathedral for the Cathedral Choir, Patrick has set the words of 16th century English poet Edmund Spenser which glorifies Christ’s sacrifice for mankind and praises his path of love.
    • Duration: 4 minutes
    • Chorus: SATB
    • Instrumentation: Strings or Military Band
    Written for the HM's Bands of the Household Division and Royal Choral Society to mark the Platinum Jubilee and based on Shakespeare's text from Henry VIII.
    • Duration: 3 minutes
    • Chorus: unaccompanied Alto, Tenor, Baritone, Bass
    Written for The Porteous Brothers, this carol is based on the 15th century text depicting the Nativity with a lullaby sung by the Virgin Mary to the baby Jesus.
  • A carol imbued with both a sense of longing and the hope that a healing light may be born to comfort mankind. Written specially for The Self-Isolation Choir's Virtual Christmas Concert 2020.
    • Duration: 5 minutes
    • Chorus: SATB
    • Instrumentation: Organ
    A setting of some of the last sentences of the Bible from the Book of Revelation, perfect for Advent.
    • Duration: 2 minutes
    • Soloist(s): Soprano
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    The Last Post originally appeared as part of the fourth and final movement of The Great War Symphony written to commemorate the centenary of the First World War, and fuses the words of the iconic poem by Laurence Binyon with the bugle (or trumpet) playing the Last Post.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    The Dead Soldier, with words from the poem by Sydney Oswald, originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Gallipoli, with words from Sydney Bolitho's poem, originally appeared as part of the second movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Anthem for Doomed Youth, based on the well-known poem by Wilfred Owen, originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 3 minutes
    • Chorus: SATB unaccompanied
    A mystical setting of the opening words of St John's Gospel.  Perfect as an anthem at any time of the year but especially at Midnight Mass on Christmas Eve when this reading is proclaimed.
    • Duration: 2 minutes
    • Chorus: SATB unaccompanied
    Peace Beyond Thought uses simple unison singing through to rich and warm harmonic textures, with restrained dynamics throughout.
    • Duration: 3 minutes
    • Chorus: SATB
    • Instrumentation: Piano
    A lilting melody is introduced in the piano against which the independent choral parts call for love to pervade all that we do.
    • Duration: 3 minutes
    • Chorus: SATB unaccompanied
    The call of Christ to "Come To Me" is represented by gentle vocal phrases and an overall sense of yearning.  There is an atmosphere of weightlessness and calm to reflect the sentiment that Christ’s yoke is easy and his burden is light.
  • Out of stock
    Duration: 4 minutes Soloist(s): Baritone Instrumentation: Strings
    • Duration: 4 minutes
    • Soloist(s): Soprano
    • Instrumentation: Piano
    This song takes the first two verses and last two verses from Samuel Crossman's (1624-83) marvellous poem.  There is no reference to the well-known hymn tune; instead the listener is taken through a whole range of emotions as the piano supports the soprano voice with warm, sonorous textures.
  • Duration: 4 minutes Soloist(s): Soprano Instrumentation: Piano
    The piano depicts the gentle flowing of the fountain which the poet, Ben Johnson (1572-1637) sees as a mirroring of grief and sorrow.  The solo soprano voice conveys the deeper nuances of the text with broken, 'sighing' phrases and, at points of climax, with more expansive sweeping statements.
    • Duration: 5 minutes
    • Chorus: SSAA
    • Instrumentation: Organ
    A bright, festive arrangement of the well-known Dutch carol written for the girls of the Charterhouse Choir. Each verse provides variation and contrast with the intricate, playful organ underpinning the soprano and alto textures.
    • Duration: 5 minutes
    • Chorus: SATB choir and semi-chorus (trebles OR children's choir OR soloist)
    • Instrumentation: Organ
    Using words from Psalm 139 and commissioned by the choir of St James’ Church, Louth, this work was premiered on the 500th anniversary since the spire was completed, the tallest medieval parish church spire in England.
    • Duration: 4 minutes
    • Chorus: Divided soprano voices
    • Instrumentation: Organ
    A Christmas Carol with words by Andrew Hawes for divided soprano voices and organ written for the Chapel Choir of Gresham's, Norfolk.
    • Duration: 4 minutes
    • Chorus: Divided soprano voices
    • Instrumentation: Piano
    A Christmas Carol with words by Andrew Hawes for divided soprano voices and piano written for Norwich High School for Girls.
    • Duration: 3 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Christian Soldiers, based on the well-known hymn tune, originally appeared as part of the first movement of The Great War Symphony written to commemorate the centenary of the First World War.
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